{"id":39,"date":"2025-06-12T21:10:03","date_gmt":"2025-06-12T19:10:03","guid":{"rendered":"https:\/\/www.elisaganivet.com\/?page_id=39"},"modified":"2026-02-04T18:19:44","modified_gmt":"2026-02-04T17:19:44","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.elisaganivet.com\/index.php\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n<p><strong>SELECTION<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/socgeo.com\/2025\/06\/02\/la-geographie-n1597-ete-2025-frontieres\/#prettyPhoto\" target=\"_blank\" rel=\"noreferrer noopener\">\u00ab\u00a0De l&rsquo;immobilisme frontalier dans l&rsquo;art\u00a0\u00bb in La G\u00e9ographie &lsquo;Fronti\u00e8res&rsquo; n\u00b01597,<\/a> 2025, pp.46-49.<\/p>\n\n\n\n<p><a href=\"https:\/\/journals.uvic.ca\/index.php\/bigreview\/article\/view\/22225\">\u201dExile and Art in Time: An Interview with Dominique de Font-R\u00e9aulx\u201d in Borders in Globalization Review 6 (1),<\/a>&nbsp;University of Victoria, British Columbia, Canada, 2024, pp. 185-193.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.e-elgar.com\/shop\/gbp\/encyclopedia-of-stakeholder-management-9781800374232.html?srsltid=AfmBOor85rcNM1pridIRMTY7duOLEw9cZLI5rgyljEeqiJQYHn48XShn\" data-type=\"link\" data-id=\"https:\/\/www.e-elgar.com\/shop\/gbp\/encyclopedia-of-stakeholder-management-9781800374232.html?srsltid=AfmBOor85rcNM1pridIRMTY7duOLEw9cZLI5rgyljEeqiJQYHn48XShn\">\u201cBorder Wall Aesthetics\u201c in\u00a0<em>Encyclopedia of Stakeholder Management<\/em>,<\/a> Cheltenham UK: Edward Elgar Publishing, 2023, pp.20-22, ISBN: 978-1-800-374-232<\/p>\n\n\n\n<p><a href=\"https:\/\/journals.uvic.ca\/index.php\/bigreview\/article\/view\/21164\" target=\"_blank\" rel=\"noreferrer noopener\">\u201dPaulo Nazareth: Continuity and Disruption of Borders (a complete Art Performance)\u201d in&nbsp;<em>Borders in Globalization Review<\/em>&nbsp;4 (1),<\/a> University of Victoria, British Columbia, Canada, 2022, introduction and collection : pp. 104-126.<\/p>\n\n\n\n<p><em><a href=\"https:\/\/editions-dilecta.com\/fr\/livres\/1041-jusque-la-le-fresnoy.html\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cFluidity in Resistance\u201c in Jusque-l\u00e0 Catalog exhibition<\/a><\/em> organized by Le Fresnoy and Pinault Collection. Artists: Enrique Ram\u00edrez, Lucas Arruda, Yael Bartana, Latifa Echakhch, Nina Canell, Vidya Gastaldon, Daniel Steegmann Mangran\u00e9, Jean-Luc Moul\u00e8ne, Antoni Muntadas, Paulo Nazareth, Danh V\u014d, Joaqu\u00edn Torres Garc\u00eda. Authors : Alain Fleischer, Jean-Jacques Aillagon (forewords), Caroline Bourgeois,&nbsp;Pascale Pronnier,&nbsp;Patrick Boucheron,&nbsp;\u00c9lisa Ganivet. Paris: Editions Dilecta, 2022, pp. 53-61, ISBN: 978-2-37372-139-3<\/p>\n\n\n\n<p><em><a href=\"https:\/\/www.dslbook.com\/magazines\/issue13\/\" target=\"_blank\" rel=\"noreferrer noopener\">Has decadency finally became Harmonious? Dslmagazine<\/a><\/em>, Issue n\u00b013, January 2021, 46 pages<\/p>\n\n\n\n<p><a href=\"https:\/\/journals.uvic.ca\/index.php\/bigreview\/article\/view\/20443\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cSpecial Section \u2013 Art &amp; Borders: Introduction\u201d in&nbsp;<em>Borders in Globalization Review<\/em>&nbsp;3 (1),<\/a>&nbsp;University of Victoria, British Columbia, Canada, 2021, introduction and collection: pp. 82-136.<\/p>\n\n\n\n<p><a href=\"https:\/\/journals.uvic.ca\/index.php\/bigreview\/article\/view\/20445\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cOutline &amp; Depth of Otherness: An Interview With Randa Maroufi\u201d in&nbsp;<em>Borders in Globalization Review<\/em>&nbsp;3 (1),<\/a>&nbsp;University of Victoria, British Columbia, Canada, 2021, pp. 96-103.<\/p>\n\n\n\n<p><a href=\"https:\/\/journals.uvic.ca\/index.php\/bigreview\/article\/view\/20446\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cOn the Passage of Existence: An Interview with Taysir Batniji\u201d in&nbsp;<em>Borders in Globalization Review<\/em>&nbsp;3 (1),<\/a>&nbsp;University of Victoria, British Columbia, Canada, 2021, pp. 104-112.<\/p>\n\n\n\n<p><a href=\"https:\/\/web.archive.org\/web\/20240910074241\/https:\/journals.uvic.ca\/index.php\/bigreview\/article\/view\/20447\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cFronti\u00e8res &amp; Mythologies Personnelles : Un Entretien avec Emeric Lhuisset\u201d in&nbsp;<em>Borders in Globalization Review<\/em>&nbsp;3 (1),<\/a>&nbsp;University of Victoria, British Columbia, Canada, 2021, pp. 113-120.<\/p>\n\n\n\n<p><a href=\"https:\/\/journals.uvic.ca\/index.php\/bigreview\/article\/view\/20447\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cBorders &amp; Personal Mythologies: An Interview with Emeric Lhuisset\u201d in&nbsp;<em>Borders in Globalization Review<\/em>&nbsp;2 (2),<\/a>&nbsp;University of Victoria, British Columbia, Canada, 2021, pp. 141-148.<\/p>\n\n\n\n<p><em><a href=\"https:\/\/cup.columbia.edu\/book\/border-wall-aesthetics\/9783837647778\/\" target=\"_blank\" rel=\"noreferrer noopener\">Border Walls Aesthetics, Artworks in Borderspaces, Bielefeld: Transcript Verlag, New-York: Columbia University Press<\/a><\/em><a href=\"https:\/\/web.archive.org\/web\/20240910074241\/https:\/cup.columbia.edu\/book\/border-wall-aesthetics\/9783837647778\" target=\"_blank\" rel=\"noreferrer noopener\"><em>,<\/em><\/a>&nbsp;2019-2020, 250 pages, ISBN: 978-3-837-647-778<\/p>\n\n\n\n<p><a href=\"https:\/\/web.archive.org\/web\/20240910074241\/https:\/journals.uvic.ca\/index.php\/bigreview\/article\/view\/19266\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cSome Consideration on the Aesthetics of the Geopolitical Wall\u201d in&nbsp;<em>Borders in Globalization Review<\/em>&nbsp;1 (1),<\/a>&nbsp;University of Victoria, British Columbia, Canada, 2019, pp. 115-122.<\/p>\n\n\n\n<p><em><a href=\"https:\/\/www.artpress.com\/2019\/11\/25\/loop-barcelona-17e-edition\/\" target=\"_blank\" rel=\"noreferrer noopener\">Loop Barcelona, 17\u00e8me \u00e9dition, Paris: Artpress,<\/a><\/em>&nbsp;November 25, 2019<\/p>\n\n\n\n<p><em><a href=\"https:\/\/www.artpress.com\/2019\/02\/28\/1-54-marrakech\/\" target=\"_blank\" rel=\"noreferrer noopener\">1-54 Marrakech, Paris: Artpress,<\/a><\/em>&nbsp;February 28, 2019<\/p>\n\n\n\n<p><a href=\"https:\/\/www.calameo.com\/read\/003167138eee8c6d8ee56\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cInterview: The paradox of contemplative desire\u201c in ELSE Issue 1: On Contemplation,<\/a>&nbsp;New-York: Transart Institut, Januray 2016, pp. 36-45<\/p>\n\n\n\n<p><a href=\"https:\/\/www.lespressesdureel.com\/ouvrage.php?id=4861&amp;menu=0\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cArtistes et migrations: tour d\u2019horizon des territoires isra\u00e9lo-palestinien et nord am\u00e9ricain\u201c in De Champlitte \u00e0 San Rafael, histoire d\u2019une utopie fouri\u00e9riste,<\/a>&nbsp;Dijon: Les Presses du R\u00e9el, 2016, pp. 119-127, ISBN: 978-2-84066-893-0<\/p>\n\n\n\n<p><em><a href=\"https:\/\/puq.ca\/catalogue\/livres\/esthetique-mur-geopolitique-2962.html\" target=\"_blank\" rel=\"noreferrer noopener\">Esth\u00e9tique du mur g\u00e9opolitique, Montr\u00e9al: Les Presses de l\u2019Universit\u00e9 du Qu\u00e9bec,<\/a><\/em>&nbsp;2015, 220 pages, ISBN 978-2-7605-4360-7<\/p>\n\n\n\n<p><a href=\"https:\/\/www.liveartwork.com\/editions\/full_poesiaccion.htm\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cIt is all a matter of Image\u201c in \u00a1PoesiAcci\u00f3n! Berlin: Instituto Cervantes; Grimm Museum,<\/a>&nbsp;2012, Live Art Work DVD and book, pp. 31-37, pp. 89-94<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SELECTION \u00ab\u00a0De l&rsquo;immobilisme frontalier dans l&rsquo;art\u00a0\u00bb in La G\u00e9ographie &lsquo;Fronti\u00e8res&rsquo; n\u00b01597, 2025, pp.46-49. \u201dExile and Art in Time: An Interview with Dominique de Font-R\u00e9aulx\u201d in Borders in Globalization Review 6 (1),&nbsp;University of Victoria, British Columbia, Canada, 2024, pp. 185-193. \u201cBorder Wall Aesthetics\u201c in\u00a0Encyclopedia of Stakeholder Management, Cheltenham UK: Edward Elgar Publishing, 2023, pp.20-22, ISBN: 978-1-800-374-232 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-39","page","type-page","status-publish","hentry","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/pages\/39","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/comments?post=39"}],"version-history":[{"count":7,"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/pages\/39\/revisions"}],"predecessor-version":[{"id":126,"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/pages\/39\/revisions\/126"}],"wp:attachment":[{"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/media?parent=39"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}