{"id":43,"date":"2025-06-12T21:13:39","date_gmt":"2025-06-12T19:13:39","guid":{"rendered":"https:\/\/www.elisaganivet.com\/?page_id=43"},"modified":"2026-02-04T17:55:57","modified_gmt":"2026-02-04T16:55:57","slug":"editorial","status":"publish","type":"page","link":"https:\/\/www.elisaganivet.com\/index.php\/editorial\/","title":{"rendered":"Editorial"},"content":{"rendered":"\n

Art & Borders Editor at Borders in Globalization Review (BIG_Review), Centre for global studies, University of Victoria, Canada<\/a><\/strong><\/p>\n\n\n\n

Ganivet Elisa, \u201cExile and Art in Time: An Interview with Dominique de Font-R\u00e9aulx\u201d in Borders in Globalization Review 6 (1),<\/a> University of Victoria, British Columbia, Canada, 2024, pp. 185-193.<\/p>\n\n\n\n

Manifeste: Navire Avenir \/ Vessel of the Future: Manifesto, in<\/a> Borders in Globalization Review 5 (2),<\/a> University of Victoria, British Columbia, Canada, 2024, pp.104-110 <\/p>\n\n\n\n

Ram\u00edrez, Enrique \u201cEmbarked lives\u201d in Borders in Globalization Review 4 (2),<\/a> University of Victoria, British Columbia, 2023, pp. 98-113.<\/p>\n\n\n\n

Nazareth, Paulo \u201cContinuity and Disruption of Borders (a Complete Art Performance)\u201d in Borders in Globalization Review 4 (1),<\/a>University of Victoria, British Columbia, Canada, 2022, pp. 104-126.<\/p>\n\n\n\n

Filippi, Madeleine \u201cSarah Trouche, Performing Borders \/ Sarah Trouche, Performer Les fronti\u00e8res\u201d in Borders in Globalization Review 3 (2)<\/a>,<\/a> University of Victoria, British Columbia, Canada, 2022, pp. 98-104.<\/p>\n\n\n\n

Pacheco Benites, Alberto \u201cTrois Regimes De Murs \/ Three Regimes of Walls\u201d in Borders in Globalization Review 3 (2), <\/a>University of Victoria, British Columbia, Canada, 2022, pp. 105-120.<\/p>\n\n\n\n

Bol\u00edvar, Clara \u201cEl Muro Como Objeto Desde Perspectivas Latinoamericanas \/ \u201cThe Wall As an Object from Latin-American Perspectives\u201d in Borders in Globalization Review 3 (2), <\/a>University of Victoria, British Columbia, Canada, 2022, pp. 121-126.<\/p>\n\n\n\n

Ganivet, Elisa \u201cSpecial Section \u2013 Art & Borders: Introduction\u201d in Borders in Globalization Review 3 (1),<\/a> University of Victoria, British Columbia, Canada, 2021, pp. 82-85.<\/p>\n\n\n\n

Neddermeyer, Ina, and Bleibler J\u00fcrgen \u201cBeyond Borders, Beyond States: Artistic and Historical Aviation Perspectives\u201d in Borders in Globalization Review 3 (1),<\/a> University of Victoria, British Columbia, Canada, 2021, pp. 86-95.<\/p>\n\n\n\n

Ganivet, Elisa \u201cOutline & Depth of Otherness: An Interview With Randa Maroufi\u201d in Borders in Globalization Review 3 (1),<\/a> University of Victoria, British Columbia, Canada, 2021, pp. 96-103.<\/p>\n\n\n\n

Ganivet, Elisa \u201cOn the Passage of Existence: An Interview With Taysir Batniji\u201d in Borders in Globalization Review 3 (1),<\/a> University of Victoria, British Columbia, Canada, 2021, pp. 104-112.<\/p>\n\n\n\n

Ganivet, Elisa \u201cFronti\u00e8res & Mythologies Personnelles : Un Entretien Avec Emeric Lhuisset\u201d in Borders in Globalization Review 3 (1),<\/a> University of Victoria, British Columbia, Canada, 2021, pp. 113-120.<\/p>\n\n\n\n

Mutter, H\u00e9l\u00e8ne \u201cMurs fronti\u00e8res Et Virtualit\u00e9\u201d in Borders in Globalization Review 3 (1),<\/a> University of Victoria, British Columbia, Canada, 2021, pp. 121-127.<\/p>\n\n\n\n

Gattinoni, Christian \u201cFotolimo: A Festival That Borders on All Images\u201d in Borders in Globalization Review 3 (1),<\/a> University of Victoria, British Columbia, Canada, 2021, pp. 128-136.<\/p>\n\n\n\n

Ganivet, Elisa \u201cBorders & Personal Mythologies: An Interview With Emeric Lhuisset\u201d in Borders in Globalization Review 2 (2),<\/a>University of Victoria, British Columbia, Canada, 2021, pp. 141-148.<\/p>\n\n\n\n

Ganivet, Elisa \u201cSome Consideration on the Aesthetics of the Geopolitical Wall\u201d in Borders in Globalization Review\u00a01 (1)<\/a>,University of Victoria, British Columbia, Canada, 2019, pp. 115-122.<\/p>\n\n\n\n

\n\n\n\n

Editorial coordinator for the artist Kader Attia<\/strong><\/p>\n\n\n\n

Kader Attia, Magnus af Petersens (Ed.), Continuum of Repair: The Light of Jacob\u2019s Ladder<\/em>,<\/a> London: Whitechapel Gallery, 2014<\/p>\n\n\n\n

Kader Attia, Ellen Blumenstein (Ed.), Transformations<\/em>, KW Institut for contemporary Art,<\/a> Berlin: Spector Books, 2014<\/p>\n\n\n\n

Kader Attia, L\u00e9a Gauthier (Ed.), RepaiR<\/em>,<\/a> Dijon: Les Presses du R\u00e9el; Bruxelles: Black Jack Edition, 2014<\/p>\n\n\n\n

Kader Attia, Axel Lapp (Ed.), The Repair from Occident to Extra-Occidental Cultures<\/em>,<\/a> Berlin: Green Box, 2014<\/p>\n\n\n\n

\n\n\n\n

Editorial coordinator for managed exhibitions<\/strong><\/p>\n\n\n\n

Rosa Perales Piqueres (Ed.), Stefano Ceccheto (Ed.), Dali passionn\u00e9<\/em>, F\u00e9camp: Palais B\u00e9n\u00e9dictine, 2008<\/p>\n\n\n\n

Varinia Varela Guarda (Ed.), Y las obras se hicieron tesoros, Arte precolombino en la Colecci\u00f3n Salinas de la Piedra<\/em>, Fuenlabrada (Madrid): CEART, 2007<\/p>\n\n\n\n

Ma\u00efth\u00e9 Vall\u00e8s-Bled (Ed.), Calder, la forma y el sue\u00f1o<\/em>, Fuenlabrada (Madrid): CEART, 2006; Calder, A forma e o sonho<\/em>, Evora: Funda\u00e7\u00e3o Eugenio de Almeida, 2006<\/p>\n\n\n\n

Cristiano Isnardi (Ed.), Mir\u00f3, el jardin de las maravillas,<\/em>Fuenlabrada (Madrid): CEART, 2006<\/p>\n","protected":false},"excerpt":{"rendered":"

Art & Borders Editor at Borders in Globalization Review (BIG_Review), Centre for global studies, University of Victoria, Canada Ganivet Elisa, \u201cExile and Art in Time: An Interview with Dominique de Font-R\u00e9aulx\u201d in Borders in Globalization Review 6 (1), University of Victoria, British Columbia, Canada, 2024, pp. 185-193. Manifeste: Navire Avenir \/ Vessel of the Future: Manifesto, in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-43","page","type-page","status-publish","hentry","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/pages\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":5,"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/pages\/43\/revisions"}],"predecessor-version":[{"id":124,"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/pages\/43\/revisions\/124"}],"wp:attachment":[{"href":"https:\/\/www.elisaganivet.com\/index.php\/wp-json\/wp\/v2\/media?parent=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}